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Be nice to see you, by William Marsey

Be nice to see you

·
released on the Solem Quartet's debut disc, available on Spotify now

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  1. 2022

    1. Why Do You Grieve 11 mins, for 11 instruments or orchestra
    2. Daybed Melody 3 mins, soprano and harp
    3. No Verticals 6 mins, violin, clarinet, cello
    4. George's Sonatas and Man Dances 20 mins, solo piano
    5. Stone Him (with Antonia Luxem) 7 minutes, for video, 2 singers, and violin
  2. 2021

    1. I am Become a Man 5 mins, 4 voices SATB
    2. Man with Limp Wrist 13 mins, orchestral winds and brass
  3. 2020

    1. Elegy for the Silent (with Torbjørn Rødland) for video and piano
    2. This poor room 4 mins, solo viola
    3. The Water of Tyne 10 mins, for wind quintet
  4. 2019

    1. Be nice to see you 8 mins, string quartet and recorded sound
    2. Psalms 22 and 23 5 mins, various versions
    3. The Sea 3 mins, orchestra
  5. 2018

    1. Bucketmouth 5 mins, bass viol
    2. Dutch Indoor Subjects 25 mins, piano
    3. Dances of Travel 10 mins, 13 players
    4. For Grace, After a Party 5 mins, cello and accordion
  6. 2017

    1. Austerity Songs 25 mins, solo voices SATB and piano.
    2. Mill 5 mins, 6 pianos
    3. Den Vater dort oben 6 mins, violin, horn and piano
    4. Piano pieces about food 18 mins, piano and video
    5. 40 Days and 40 Nights 6 mins, string quartet
  7. 2016

    1. Doctor 5 mins, saxophone quartet
    2. Big Rubber Cock 5 mins, mezzo and small ensemble
    3. The Patronages of St Michael 12 mins, cello and piano
    4. Daughters of the Lonesome Isle 8 mins, solo voices SSATB
  8. 2015

    1. Chorale 5 mins, two guitars.
This poor room, by William Marsey

This poor room

·Video out now on youtube and instagram.
Elegy for the Silent (with Torbjørn Rødland), by William Marsey

Elegy for the Silent (with Torbjørn Rødland)

·exhibiting at Galerie Eva Presenhuber, Zurich and The Contemporary Austin, Texas
Austerity Songs, by William Marsey

Austerity Songs

·entire set recorded at Britten's Red House, videos on Youtube now

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copyright William Marsey, 2020

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